1972 CBS
US Pressung
Vinyl ist vg
Cover ist vg- bis g+ - nichts richtig kaputt, eher abnutzung an der Oberfläche. Ist halt ein tip on sleeve und für das Alter eigentlich ok.
Das ist ein tip-on sleeve aus alten Tagen. Damals hat man das Artwork auf Papier gedruckt und dann auf Pappe geklebt. Heute bedruckt man die Pappe.direkt. Die Tip on sleeves hatten keinerlei Schutzlack oder nur minmalen, deshalb zeigen die Cover nach 56 Jahren auch Abnutzungen, die meiner Meinung nach eher Patina zu nennen sind.
Bassically, this is Mountain with layers of Cream in between. When Mountain crumbled, Jack Bruce replaced his former Cream associate Felix Pappalardi in the middle of Leslie West and Corky Laing. West, of course, was one of rock’s best guitarslingers and a solid blues vocalist to boot, but a strange sight to behold. The best that can be said of Laing is that he’s a better singer than Ginger Baker and a better drummer than Peter Criss. Add to that one eccentric English heroin addict, and you’d think that Why Dontcha would be ripe for disaster. Instead, the album continued Mountain’s winnings ways, entering the US Top 40 and generating enough interest for a followup and a live album. Now, my interest in West, Bruce & Laing really begins and ends with Bruce. West clearly has a boatload of talent, but the only song of his that connects with me on a deep level is “Love Is Worth The Blues.” The songs from Jack Bruce, on the other hand, are never less than interesting. I thought Harmony Row was brilliant if a bit strange, and the same genius is evident on “Out Into The Fields” and “Pollution Woman.” Bruce’s bass playing continues to be completely over the top–a holdover from the days of wine and Cream. He comes off the hinges at the end of “Third Degree,” and you don’t know whether to be amazed or appalled. Honestly, without the Pappalardi connection, Bruce probably wouldn’t have set foot on this mountain. But he did, and gained a great guitarist in the bargain. Or, from another perspective, Mountain gained an erratic but entertaining star to pin on their power trio pedigree. Either way you look at it, West, Bruce & Laing is too interesting a combination to ignore. The end result is sort of CCR meets Cream without an obvious hit in sight, but with enough energy to make up for it. (Review - progrography.com)
The Product
A1. Why Dontcha (Leslie West/Jack Bruce/Corky Laing) (3:02)
A2. Out Into The Fields (Jack Bruce/Pete Brown/Leslie West/Corky Laing) (4:40)
A3. The Doctor (Leslie West/Jack Bruce/Corky Laing/Sue Palmer) (4:30)
A4. Turn Me Over (Leslie West/Jack Bruce/Corky Laing) (2:43)
A5. Third Degree (Eddie Boyd) (5:15)
B1. Shake Ma Thing (Rollin Jack) (Leslie West/Jack Bruce/Corky Laing) (3:14)
B2. While You Sleep (Leslie West/Jack Bruce/Corky Laing) (3:24)
B3. Pleasure (Jack Bruce/Pete Brown/Leslie West/Corky Laing) (4:02)
B4. Love Is Worth The Blues (Leslie West/Jack Bruce/Corky Laing) (4:11)
B5. Pollution Woman (Jack Bruce/Pete Brown/Leslie West/Corky Laing) (4:26)
The Players
Jack Bruce (bass, vocals, piano, harmonium, organ, harp, acoustical bass, ARP synthesizer, acoustic guitar), Corky Laing (drums, vocals, rhythm guitar), Leslie West (guitars, vocals, dobro, violin guitar, slide guitar). Produced by West, Bruce & Laing with Andrew Johns; engineered by Andrew Johns.
